In Honor of Jean-Michel Basquiat
The Practical Details
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The Show
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Stage Door
Full guide →When to go. Head straight out at curtain call. Two-show days are the worst bet at both performances — the cast rests through the matinee and is spent by the evening. A Sunday matinee is the best single bet, because it is a one-show day. In bad weather the barricades sometimes never go up at all.
Who comes out. Anywhere from nobody to most of the cast. Nobody can tell you in advance which three — not us, not the theatre. Treat any list that claims otherwise with suspicion.
What to bring. Tonight’s Playbill and a fine-tip Sharpie, held open to the page you want signed. Ask before you photograph anyone, and keep the pavement clear — it is a working door, not a red carpet.
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The Lowdown
Smith — the Obie-winning performer behind A Huey P. Newton Story — returns to New York Theatre Workshop after a sold-out Under the Radar engagement earlier this year. It runs about ninety minutes: one man, a living soundscape, and the ghost of a genius who burned bright and fast just a few blocks from where you’ll be sitting.
A short, downtown, quintessentially New York run. If you care about art, the ’80s East Village, or watching a master storyteller work a room entirely alone, this is your ticket.
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