
The Practical Details
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Stage Door
Full guide →When to go. Head straight out at curtain call. Two-show days are the worst bet at both performances — the cast rests through the matinee and is spent by the evening. A Sunday matinee is the best single bet, because it is a one-show day. In bad weather the barricades sometimes never go up at all.
Who comes out. Anywhere from nobody to most of the cast. Nobody can tell you in advance which three — not us, not the theatre. Treat any list that claims otherwise with suspicion.
What to bring. Tonight’s Playbill and a fine-tip Sharpie, held open to the page you want signed. Ask before you photograph anyone, and keep the pavement clear — it is a working door, not a red carpet.
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The Lowdown
Some people journal at the kitchen table. Jill Morley journaled in the dressing room of a New Jersey go-go bar. Back in 1993 she started dancing to pay the bills, kept a notebook going between sets, and turned what she saw and heard into True Confessions of a Go-Go Girl, a solo show about the women she worked alongside.
Now the show is back, and Jacq Frances steps into the role Morley originated, with Morley herself on board as assistant director. Dan Wackerman directs and Jo Weldon choreographs, so yes, there will be moves.
It plays The Triad, the cozy cabaret room up a flight of stairs on West 72nd Street, which is about the right size for a show built on secrets told at close range. Grab a drink, settle in, and get ready to hear what really goes on after the music stops.
Limited run with two performances a week: October 24 through December 11, 2026. A small room plus a short schedule means seats are scarce, so plan ahead.
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Our full verdict on True Confessions of a Go-Go Girl is coming soon. Reader lottery reports below have the on-the-ground intel in the meantime.
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Won a seat to True Confessions of a Go-Go Girl for the price of a deli lunch? Struck out a dozen times trying? Either way, the next New Yorker hitting refresh on the lottery wants to hear about it. Be the first on the board.
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