The Practical Details
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Stage Door
Full guide →When to go. Head straight out at curtain call. Two-show days are the worst bet at both performances — the cast rests through the matinee and is spent by the evening. A Sunday matinee is the best single bet, because it is a one-show day. In bad weather the barricades sometimes never go up at all.
Who comes out. Anywhere from nobody to most of the cast. Nobody can tell you in advance which three — not us, not the theatre. Treat any list that claims otherwise with suspicion.
What to bring. Tonight’s Playbill and a fine-tip Sharpie, held open to the page you want signed. Ask before you photograph anyone, and keep the pavement clear — it is a working door, not a red carpet.
Why “still confirming”. The theatre details above are solid. What we haven’t nailed down is whether this particular production does a stage door — that changes with the cast, and no source publishes it. We’d rather say so than guess.
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The Lowdown
Two women, thirty years apart, sat in front of the U.S. Senate and told the truth while the whole country watched. Elizabeth Marvel and Lee Sunday Evans took the actual transcripts of Anita Hill's 1991 testimony and Christine Blasey Ford's 2018 testimony and built a verbatim play out of them — every line lifted straight from the record. Gabby Beans plays Anita Hill, Marvel plays Christine Blasey Ford, and Teagle Bougere and Josh Hamilton round out the cast. It runs at BAM Fisher's Fishman Space in Brooklyn for a tight two-week window in September, produced by Waterwell. No embellishment, no melodrama — just the words, laid side by side, so you can hear how much and how little changed in three decades. It sounds like homework and plays like a gut punch. Bring a friend who likes to argue in the lobby afterward, because you will.
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Our verdict
Our full verdict on The Ford/Hill Project is coming soon. Reader lottery reports below have the on-the-ground intel in the meantime.
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