
Stories to Tell at the End of the World
The Practical Details
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Stage Door
Full guide →When to go. Head straight out at curtain call. Two-show days are the worst bet at both performances — the cast rests through the matinee and is spent by the evening. A Sunday matinee is the best single bet, because it is a one-show day. In bad weather the barricades sometimes never go up at all.
Who comes out. Anywhere from nobody to most of the cast. Nobody can tell you in advance which three — not us, not the theatre. Treat any list that claims otherwise with suspicion.
What to bring. Tonight’s Playbill and a fine-tip Sharpie, held open to the page you want signed. Ask before you photograph anyone, and keep the pavement clear — it is a working door, not a red carpet.
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The Lowdown
Same woods, three centuries, three young women, and every one of them watching her world come apart. The trees have seen it all, and in Stories to Tell at the End of the World they are the ones keeping score.
Gina Femia's new play stitches the three stories together into one family's mythology, passed down generation to generation, so a choice made in one century echoes in the next. It is about endings, sure, but mostly about the people who keep going after them, and the stories they leave behind for whoever comes next.
Tabatha Gayle and Kaitlin Paige Longoria direct, with Kleo Mitrokostas in the cast. New Light Theater Project and 5th Wall Theatre present, in association with Pendragon Theatre, in the intimate Theater C at 59E59 Theaters.
It is a short run, March 4 to 20, 2027, in one of the smallest rooms on the East Side. Seats will go fast, so do not wait for the apocalypse to book.
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Our full verdict on Stories to Tell at the End of the World is coming soon. Reader lottery reports below have the on-the-ground intel in the meantime.
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