
The Practical Details
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Stage Door
Full guide →When to go. Head straight out at curtain call. Two-show days are the worst bet at both performances — the cast rests through the matinee and is spent by the evening. A Sunday matinee is the best single bet, because it is a one-show day. In bad weather the barricades sometimes never go up at all.
Who comes out. Anywhere from nobody to most of the cast. Nobody can tell you in advance which three — not us, not the theatre. Treat any list that claims otherwise with suspicion.
What to bring. Tonight’s Playbill and a fine-tip Sharpie, held open to the page you want signed. Ask before you photograph anyone, and keep the pavement clear — it is a working door, not a red carpet.
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The Lowdown
No script. No scene partners. No plan. Just Jim Rash, a room full of strangers shouting suggestions, and about an hour of one man building a whole play in real time and then playing everyone in it.
One! is a Groundlings staple, and Rash, who was Dean Pelton on Community and won an Oscar for co-writing The Descendants, has been doing it for years. Each night gets built out of whatever the audience hands him: a premise, a relationship, a job nobody should have. He plays all of it, switching characters mid-sentence, and the show has never existed before and will never exist again.
It lands at SoHo Playhouse on Vandam Street for one week only, September 22 through 28. The house holds 199, so it is a small room for a very large swing. If it goes wonderfully, you were there. If it goes sideways, you were really there. That is the deal you are buying, and it is a good one.
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Our verdict
Our full verdict on One! with Jim Rash is coming soon. Reader lottery reports below have the on-the-ground intel in the meantime.
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Won a seat to One! with Jim Rash for the price of a deli lunch? Struck out a dozen times trying? Either way, the next New Yorker hitting refresh on the lottery wants to hear about it. Be the first on the board.
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