
Hershey Felder: The Piano and Me
The Practical Details
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The Show
The Theatre
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Stage Door
Full guide →When to go. Head straight out at curtain call. Two-show days are the worst bet at both performances — the cast rests through the matinee and is spent by the evening. A Sunday matinee is the best single bet, because it is a one-show day. In bad weather the barricades sometimes never go up at all.
Who comes out. Anywhere from nobody to most of the cast. Nobody can tell you in advance which three — not us, not the theatre. Treat any list that claims otherwise with suspicion.
What to bring. Tonight’s Playbill and a fine-tip Sharpie, held open to the page you want signed. Ask before you photograph anyone, and keep the pavement clear — it is a working door, not a red carpet.
Why “still confirming”. The theatre details above are solid. What we haven’t nailed down is whether this particular production does a stage door — that changes with the cast, and no source publishes it. We’d rather say so than guess.
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The Lowdown
Part concert, part memoir, all heart, the evening traces Felder’s lifelong love affair with the eighty-eight keys — from a childhood in Montreal to the world’s great stages — with the master himself at a grand piano the whole way through. Expect gorgeous playing, warm humor, and the kind of intimate storytelling that makes a 196-seat house feel like your own living room.
If you’ve ever wondered what happens when a virtuoso stops playing other people’s lives and starts playing his own, this is your ticket — a love letter to music, memory, and the instrument that started it all, served up just steps from Midtown.
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Our verdict
Our full verdict on Hershey Felder: The Piano and Me is coming soon. Reader lottery reports below have the on-the-ground intel in the meantime.
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