Broad Strokes

Getting there. Facing the theatre from Christopher St., the stage door is the door on the left — so it is immediately to your right as you come out. There are two exits along the same frontage and performers have been seen using both, so keep an eye on the pair.

When to go. Head straight out at curtain call. Two-show days are the worst bet at both performances — the cast rests through the matinee and is spent by the evening. A Sunday matinee is the best single bet, because it is a one-show day. In bad weather the barricades sometimes never go up at all.

Who comes out. Anywhere from nobody to most of the cast. Nobody can tell you in advance which three — not us, not the theatre. Treat any list that claims otherwise with suspicion.

What to bring. Tonight’s Playbill and a fine-tip Sharpie, held open to the page you want signed. Ask before you photograph anyone, and keep the pavement clear — it is a working door, not a red carpet.

Why “still confirming”. The theatre details above are solid. What we haven’t nailed down is whether this particular production does a stage door — that changes with the cast, and no source publishes it. We’d rather say so than guess.