Work of Devotion
The Practical Details
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Stage Door
Full guide →When to go. Head straight out at curtain call. Two-show days are the worst bet at both performances — the cast rests through the matinee and is spent by the evening. A Sunday matinee is the best single bet, because it is a one-show day. In bad weather the barricades sometimes never go up at all.
Who comes out. Anywhere from nobody to most of the cast. Nobody can tell you in advance which three — not us, not the theatre. Treat any list that claims otherwise with suspicion.
What to bring. Tonight’s Playbill and a fine-tip Sharpie, held open to the page you want signed. Ask before you photograph anyone, and keep the pavement clear — it is a working door, not a red carpet.
Shared door. This door also serves the Pershing Square Signature Center — Alice Griffin Jewel Box Theatre and the Pershing Square Signature Center — Romulus Linney Courtyard Theatre, so some of the crowd is waiting for a different show.
No public door. Performers leave through the lobby, the same way you did. There is nowhere separate to wait.
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The Lowdown
Work of Devotion is Miranda Rose Hall’s raucous, profound, decidedly contemporary world premiere about women devoting themselves to beauty, wonder, and the glorious absurdity of being alive — while wearing wool in the Italian countryside, which is its own kind of devotion.
Hall, a finalist for the Susan Smith Blackburn Prize, has a gift for making the ancient feel like it was written about your group chat. Expect the medieval setting to land suspiciously close to home for anyone who has ever stared at the ceiling at 2am wondering whether their whole life needs a reorg.
Second Stage presents the world premiere at the Pershing Square Signature Center’s Irene Diamond Stage. Previews begin February 3, 2027, with opening night on February 22. Habit-forming, presumably.
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