Chicago poster
Broadway · Ambassador Theatre
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Chicago

Open run · 2 hours & 30 mins 1 intermission
Born in the City rating
4/5
Critics (BroadwayWorld)
9.5 / 10
Rush
Lottery
Run time
2 hours & 30 mins 1 intermission
Opened
November 14, 1996
Status
Open run
Everything you need

The Practical Details

Lotteries & Rush

LotteryRush
A limited number of $49 general rush tickets will be available to purchase at the box office on the day of the performance. A limited number of $27 standing room tickets will be available to purchase at the box office on the day of the performance, when the show is sold out. Limited to two tickets per person. Not available Saturday evenings.

The Show

Run time
2 hours & 30 mins 1 intermission
Opened
November 14, 1996
Status
Open run
Official site
Our take

The Theatre

Venue
Ambassador Theatre
Address
219 W 49th St, NY, NY 10019
Seating chart

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About the show

The Lowdown

The premise is simple: murder is just another form of celebrity PR. Roxie Hart and Velma Kelly dance their way through a legal system that treats justice like a punchline. It is cynical, sparse, and relies entirely on Fosse’s signature sharp angles to keep the energy from flatlining. The production is a relic in the best way, proving that blood and sequins never go out of style in this town. Skip it if you need a revolving set or pyrotechnics to stay awake. Go if you want to see exactly how much mileage one chair and a black bodysuit can actually get you.


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The headline feature

Reviews

4
Born in the City

Our verdict

The longest-running American musical on Broadway, and it earns the tenure. Kander and Ebb's razzle-dazzle, Fosse-style choreography, and a cynical wit about fame and justice that only sharpens with age. Stripped-down staging, all talent — a slinky, ageless night that never feels like a museum piece.

Critics said: 9.5 BroadwayWorld Read the NY Theatre Guide review →

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1 review for Chicago

  1. Rated 4 out of 5

    Born in the City

    The longest-running American musical on Broadway, and it earns the tenure. Kander and Ebb’s razzle-dazzle, Fosse-style choreography, and a cynical wit about fame and justice that only sharpens with age. Stripped-down staging, all talent — a slinky, ageless night that never feels like a museum piece.