
The Practical Details
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The Theatre
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Stage Door
Full guide →When to go. Head straight out at curtain call. Two-show days are the worst bet at both performances — the cast rests through the matinee and is spent by the evening. A Sunday matinee is the best single bet, because it is a one-show day. In bad weather the barricades sometimes never go up at all.
Who comes out. Anywhere from nobody to most of the cast. Nobody can tell you in advance which three — not us, not the theatre. Treat any list that claims otherwise with suspicion.
What to bring. Tonight’s Playbill and a fine-tip Sharpie, held open to the page you want signed. Ask before you photograph anyone, and keep the pavement clear — it is a working door, not a red carpet.
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The Lowdown
An actor shows up late to a sound studio for a last-minute audiobook gig, gets handed a ghost story to narrate, and slowly figures out the horror isn't staying on the page. That's the setup for Jamie Armitage's headphone-horror show at the Minetta Lane, Audible's downtown home for exactly this sort of experiment. You wear headphones. The scares come from inside them. It's a clever bit of stagecraft — the kind of thing that only works live, in the dark, in a room full of strangers all flinching at the same second. Armitage writes and directs. Previews start in late September ahead of an October opening in the Village. If you've ever been alone in an apartment convinced you heard something, this one is going to find that exact nerve and press on it. Come for the gimmick, stay because you cannot tell where the sound is coming from.
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Our verdict
Our full verdict on A Ghost in Your Ear is coming soon. Reader lottery reports below have the on-the-ground intel in the meantime.
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Won a seat to A Ghost in Your Ear for the price of a deli lunch? Struck out a dozen times trying? Either way, the next New Yorker hitting refresh on the lottery wants to hear about it. Be the first on the board.
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