A Few Good Men

Getting there. As you exit, turn left past the orchestra and take the stairs up to the box office. Walk past the box office, turn left, and take another flight of stairs to street level. Walk past a bank of glass doors — the stage door is on the left, with a ramp.

When to go. Head straight out at curtain call. Two-show days are the worst bet at both performances — the cast rests through the matinee and is spent by the evening. A Sunday matinee is the best single bet, because it is a one-show day. In bad weather the barricades sometimes never go up at all.

Who comes out. Anywhere from nobody to most of the cast. Nobody can tell you in advance which three — not us, not the theatre. Treat any list that claims otherwise with suspicion.

What to bring. Tonight’s Playbill and a fine-tip Sharpie, held open to the page you want signed. Ask before you photograph anyone, and keep the pavement clear — it is a working door, not a red carpet.

Why “not confirmed”. The door above is a fact about the theatre and holds for years. Whether THIS production does a stage door is a fact about the company — it changes with the cast, and no source publishes it. We’d rather say so than guess.