Death of a Salesman
The Practical Details
Lotteries & Rush
The Show
The Theatre
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The Lowdown
Nathan Lane and Laurie Metcalf take on the Lomans in this revival, and they play the exhaustion of the American middle class with surgical precision. Miller’s script remains a jagged mirror held up to every New Yorker who has ever traded their sanity for a commission check. The production avoids the usual theatrical gilding, opting instead to let the weight of the Loman household’s failure suffocate the room. It is not a casual evening out, and the pacing demands a level of focus the tourists in the front row may struggle to provide. Go if you want to be reminded that the city has been chewing up dreamers since long before your rent hike.
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Reviews
Our verdict
Nathan Lane and Laurie Metcalf lead one of the finest casts assembled on Broadway in years, and for most critics this ranks among the best stagings of Miller's classic in a generation. Lane is a powder keg of quiet devastation; Metcalf drew near-universal raves. One notable dissent found it slow and brooding — but nine Tony nominations and a 94% audience score say otherwise. Heavy, essential American theater.
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Born in the City –
Nathan Lane and Laurie Metcalf lead one of the finest casts assembled on Broadway in years, and for most critics this ranks among the best stagings of Miller’s classic in a generation. Lane is a powder keg of quiet devastation; Metcalf drew near-universal raves. One notable dissent found it slow and brooding — but nine Tony nominations and a 94% audience score say otherwise. Heavy, essential American theater.